Cory
Fisher
Born 1987, New Orleans, LA
Cory
Fisher
Born 1987, New Orleans, LA
The world we call our own is a passing one. Where we are and what we are is the constant reinvention of itself. Our creative desire is the inconceivability of eternity.
I am a visual artist based in Los Angeles; I explore the synthesis of geometric shape and subtle illusionistic space using acrylic and spray paint on canvas stretched on board.
Drawing inspiration from digital art, hard-edge geometric abstraction, and the emotionality of underground vaporwave and house music, I explore and deconstruct the inconsistency of balance, the unity of opposites, the ephemerality of meaning; nostalgia, and the essence of space with a unique use of composition and layering.
You can see more of my work here.
6.1.19
Asymptotic Futures no. 1
8.1.19
Syntax
9.1.19
ultraviolet laser
Syntax
We experience so much we don’t have words for.
I was laying down when I “wrote” this—journaling, scribbling, doodling, drawing, and it felt nice; it felt as if, somehow, I was transcribing little pieces of my environment into a different shape—a complete story, all at once.
We have, so far, built a world where our unique gifts are stifled in the name of progress, success, and personality; a world where we feel alienated, confused, and oppressed. And so I think, perhaps that is what Art is for—an excursion beyond our limitations, beyond the domains of learned language, to broaden the scope of what we can share.
So, I have been writing these poems in a spontaneous language. They happen automatically, and they surprise me as much as they may surprise you.
I learn from them.
Here, language isn’t forced into being. Marks are free and direct.
Here, language is immediate; a dance. What is read is no longer “heard,” but beheld.
Then, we are left with artifacts of expression and attempts to articulate an ever-deepening sensitivity to the unfolding infinity of our being.
Scroll up.
What do you see?
Syntax
We experience so much we don’t have words for.
I was laying down when I “wrote” this—journaling, scribbling, doodling, drawing, and it felt nice; it felt as if, somehow, I was transcribing little pieces of my environment into a different shape—a complete story, all at once.
We have, so far, built a world where our unique gifts are stifled in the name of progress, success, and personality; a world where we feel alienated, confused, and oppressed. And so I think, perhaps that is what Art is for—an excursion beyond our limitations, beyond the domains of learned language, to broaden the scope of what we can share.
So, I have been writing these poems in a spontaneous language. They happen automatically, and they surprise me as much as they may surprise you.
I learn from them.
Here, language isn’t forced into being. Marks are free and direct.
Here, language is immediate; a dance. What is read is no longer “heard,” but beheld.
Then, we are left with artifacts of expression and attempts to articulate an ever-deepening sensitivity to the unfolding infinity of our being.
Scroll up.
What do you see?
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