Krys Malcolm Belc is the author of the flash nonfiction chapbook In Transit (The Cupboard Pamphlet) and the forthcoming memoir The Natural Mother of the Child (Counterpoint). His work has appeared in Granta, Black Warrior Review, The Rumpus, and elsewhere and has been anthologized in Best of the Net 2018 and Wigleaf Top 50. Krys has won contests at Redivider and Pigeon Pages and his work has been supported by the Sustainable Arts Foundation. He received his BA from Swarthmore College, his M.Ed in Special Education from Arcadia University, and his MFA in Creative Writing at Northern Michigan University. Krys lives in Philadelphia with his partner and their three young children.
Nnadi Samuel (he/him/his) holds a B.A. in English & literature from the University of Benin. His works have been previously published in Suburban Review, Seventh Wave Magazine, North Dakota Quarterly, Quarterly West, Blood Orange Review, Uncanny Magazine, PORT Magazine, The Cordite Poetry Review, Gordon Square Review, Trampset, Beestung Magazine, Rigorous Magazine, Blue Nib journal, Kaleidoscope Magazine, Stonecrop Review, The Elephant Magazine, Birmingham Arts Journal, Lunaris Review, Inverse Journal, Canyon Voices, Journal Nine, Liquid Imagination, Silver Blade Journal, Star*Line Science Fiction & Poetry, Zoetic Press, Subterranean blue poetry, The Quills, Eunoia Review & elsewhere.
I think there’s an assumption that the past is fixed and we have to recover it somehow. As in, there was a fact that happened, you will recover this fact, and then you will know what it means. The truth is that the past is in many ways as fluid as the future.
The story that you have is enough. The work that exists inside of you is enough. The work isn't out there. It isn't some degree that you don't have. It isn't the house that you don't have. It isn't the perfectly scheduled day where you know exactly what you're doing and you do it all. It’s already there. You don't need to buy or do anything else in order for what you are to be enough, and good.
Adam Golub is an Israeli-American documentarian, media artist and videographer based in Brooklyn, NY. He completed his master’s in journalism at Columbia University in 2012 and the Collaborative Studio program at UnionDocs Center for Documentary Art in 2014. His film “I Was Here First” (2015), about the exodus of DIY art spaces from Williamsburg, Brooklyn, premiered at DOC NYC. His film “Skin,” (2017) a portrait of a young black trans activist in Rio de Janeiro, won Outstanding Documentary Short at Art of Brooklyn Festival and Best New York Short at Newfest, New York. His feature doc “Your Mother’s Comfort” (2020) premiered at Sheffield Doc/Fest and won the Grand Jury Award at Outfest, Los Angeles, as well as honorable mention at NewFest, New York.
Denise Frohman is a poet, performer, and educator from New York City. A CantoMundo Fellow, she’s received residencies and awards from the National Association of Latino Arts & Cultures, Leeway Foundation, Blue Mountain Center, and Millay Colony. Her work has appeared in The BreakBeat Poets: LatiNext, Nepantla: An Anthology for Queer Poets of Color, The New York Times, ESPNW and garnered over 10 million views online. A former Women of the World Poetry Slam Champion, she’s featured on national and international stages from The White House to The Apollo, and over 200 colleges and universities. She co-organized #PoetsforPuertoRico and lives in Philadelphia.